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Osloborgerlig Tusmørke: Vardøger og Utburder vol 1

Eccentric and Prolific  are two adjectives that perfectly describe Norwegian Psychedelic Prog Folk Rockers  TUSMØRKE who are ready to release their third album in twelve months.  Titled “Osloborgerlig Tusmørke: Vardøger og utburder vol. 1”, it will hit the streets on the 30th November on Karisma Records.

As a taster, the band have released a single taken from the album.  The track, “Kjentmannen” can be streamed and downloaded at 

Being a band that moves fast, there is so much of TUSMØRKE’s material that gets left out, either through lack of space or lack of studio time, therefore, as the “vol 1” part of the album title suggests “Osloborgerlig Tusmørke: Vardøger og utburder vol. 1” is the first part of a series of compilations that feature songs, demos, outtakes and curios that didn’t QUITE make it onto TUSMØRKE’s albums themselves.

It is also a concept album that explores the rich history and mythology of Norway’s capital city Oslo. Vardøger are premonitions that precede an actual event. Utburder are infants who are abandoned in the woods at birth and whose haunting cries reverberate eerily through the night . So here you have the album in a nutshell – the signs of things to come and the sounds of the unwanted.

With artwork by the renowned Norwegian artist Arne Bendik Sjur, tracklisting for “Osloborgerlig Tusmørke: Vardøger og utburder vol. 1” as follows:

  1. Skattegravere i Grefsenåsen
  2. Hovedøya
  3. Gamle Oslo
  4. Djevelen fra Oslo
  5. Kjentmannen
  6. Akers Akropolis
  7. Alvene i Oslo
  8. Gamle Aker Kjerke

“Osloborgerlig Tusmørke: Vardøger og utburder vol. 1” will be available in CD, Digital and Limited Edition vinyl formats.  The  first LP will be released on transparent orange vinyl (limited to 700 copies) with a 4 page lyric booklet and an A2 poster, and is now available to pre-order in all formats from

As well as the upcoming releases, TUSMØRKE, who are known for their offbeat sense of humour,  are treating fans to a new video for a track from their previous album “Fjernsyn i farver”.  Directed by Aleksander U. Serigstad, the video, for the track “Tøyens Hemmelighet” is even more amusing and out there than their previous forays, and  sees the intrepid band members being lured into the Oslo Botanical Gardens by a mysterious figure who goes by the name of Zatek.

The video can be seen below and at

Featuring members of WOBBLER, JORDSJØ and ALWANZATAR,  TUSMØRKE’s lineup fields an almost dizzying variety of instruments,  and is comprised of  Benediktator on Bass, vocals, Glockenspiel and percussion, Krizla on Flute, vocals, electronics and percussion, Dauinghorn av Jordsjø on Clavinet, Hammond, grand piano, acoustic guitar, electric guitar and additional flute, and The Phenomenon Marxo Solinas on Minimoog Model D, Korg CX3, William de Blaise on harpsichord, Steinway & Sons Grand Piano, Hohner Clavinet D6, Mellotron M400, Hammond C3, Wurlitzer 200 and Solina String Ensemble, and HlewagastiR on Drums and percussion.

Photo by Terje Skår

TUSMØRKE’s next live appearance will be at the Haugaland Progfestival, Norway  on the 3rd of November.

They will also be celebrating the release of “Osloborgerlig Tusmørke: Vardøger og utburder vol. 1” with two shows supported by SAMMAL and BISMARCK.

30 November:  Røverstaden, Oslo

01 December:  Inside, Bergen events/552001755238553/

More information about TUSMØRKE can be found on the band’s Facebook page at

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With their sixth full-length album “Villa Carlotta 5959” set to hit the streets on Karisma Records on the 2nd November, Norwegian Alternative Rockers LJUNGBLUT have released a second single from the album.   The track “235” can be streamed or downloaded at

Commenting on the track, and its rather unusual name of “235”, LJUNGBLUT founder Kim Ljung had this to say:

Why 235? A Manchester casino goes by this name. Lorry (ZEROMANCER band member and LJUNGBLUT sound engineer) and I were  there some years ago.  Lorry was doing well with the chips up until the point where I convinced him to head for the Roulette wheel. All on red. Broke in no time. Inspiration.

 Sindre (bass) wrote this one. He sent me a demo and asked me if it had the the right feel to make it a LJUNGBLUT track. Of course it had. I loved it instantly! Its stomping beat and the blend of both laid back and feisty guitars, triggered off a wave of words and ideas for vocals.

 His way of thinking about music is different to mine. Which is great and refreshing. Same goes for Dan (guitars) who has also written several songs on the upcoming album “Villa Carlotta 5959”. The guys have really cracked the code on how to compose songs in real Blut-fashion. I believe “235” was the very last song on the album that we rehearsed together, and made ready for live-recording, with  some twists regarding notes, and re-arranging.  Plus lifting the track up one key, meant that I had to push it vocally a bit more. It definitely suited the lyrics and the energy of “235”.

 For the mix, Alex (SEIGMEN/ZEROMANCER bandmember and LJUNGBLUT co-producer/mixer) and I decided to keep the room alive. We pushed up all faders for mono and stereo-room to get the live-feel even more present in the track. 

 The lyrics are quite easy. It has obsessive-compulsive disorder written all over it. I think everyone in the band can relate to these words to a certain extent!

Formed in 2005 by Kim Ljung  as a vehicle for material he didn’t think would be suitable for  either SEIGMEN or ZEROMANCER , bands for whom he is both the bassist and main songwriter, LJUNGBLUT eventually expanded from a solo project, which saw the release of three albums, into a fully fledged band.  Dan Heide (ZEROMANCER, RED7) on guitars, Ted Skogmann (APOPTYGMA BERZERK) on drums , Joakim Brendsrød on keys and Sindre Pedersen on bass, joined Ljung, on keys and vocals, and, as a quintet, the band released two independent albums with Norwegian lyrics.

“Villa Carlotta 5959” is, in fact, the last in the trilogy of the Norwegian language albums and in it Ljung creates smorgasbord filled with fascinating subjects ranging from the historical and factual, such as the tracks “Hasselblad”, which is about the 12 Hasselblad cameras left behind on the surface of the Moon, and “Superga”, which refers to the province of Turin, Italy, best known for  its Cathedral and the plane crash that killed the Torino football team in 1949, to the personal ,  with tracks like “Min Krig” (My war) and “Aldri helt stille” (Never completely quiet), which address the subject of Ljung’s chronic migraines.

Encompassing a wide range of tempos and dynamics,  “Villa Carlotta 5959” presents the listeners with a cohesive sound and a melancholy mood, swathing Ljung’s characteristic vocals in vintage synths and instruments .    Recorded live in the studio and mixed by Alex Møklebust (SEIGMEN / ZEROMANCER) and Terje Johannesen, guest artists on “Villa Carlotta 5959” include Ljunggren (A-HA, ZEROMANCER), Ginge Anvik (SUBGUD, soundtrack composer) and  Terje Johannesen.

“Villa Carlotta 5959” will be released in CD, Digital and Vinyl formats, as well as a Limited Edition Turquoise LP.  Artwork is by Hanne-Christine Flåten,  and track listing is as follows:

  1. Hasselblad
  2. Oktober
  3. Til Warszawa
  4. 235
  5. Superga
  6.  Diamant
  7. Himmelen som vet
  8. Ohnesorg
  9. Aldri helt stille
  10. Min Krig

Ljungblut - Villa Carlotta 5959

“Villa Carlotta 5959” is now available to pre-order from:

Bandcamp (all versions) :
Webshop (CD and LPs):

To  celebrate the release of “Villa Carlotta 5959” LJUNGBLUT will play the following dates in Norway

09 Nov:  Papirhuset, Tønsberg
10 Nov:  Papirhuset, Tønsberg
12 Nov:  Kulturkirken Jacob, Oslo

More information about LJUNGBLUT can be found on the band’s Facebook page at

A video for the title track from LJUNGBLUT’s 2016 album “Ikke alle netter er like sorte”  can be seen below and at

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With their second full-length album “Limbohead” having hit the streets in March of this year on Karisma Records, Norway’s DOBBELTGJENGER have given fans a brand new single with which to fill the void in between releases.

Titled “Paper Cutter”, the single is available to stream and download at

DOBBELTGJENGER’s lineup of Sondre Veland (MAJOR PARKINSON,  OSSICLES) on drums, Jakob Sønnesyn (DEPRESNO,  9 GRADER NORD) on bass, Vegard Wikne (OCEAN OF LOTION) on guitars and vocals, and Knut Martin Rasmussen Langeland on guitar,  prefer to eschew conventional labels in order to produce “straight-to-the-point” and refreshing alternative rock songs without being shackled by any “genre” pre-conceptions.

“Limbohead” itself has been described as a “colourful, varied and addictive rock album”,  which pretty much sums up DOBBELTGJENGER, whose lyrics tell tales of deep-rooted neuroticism,  and whose eclectic  sound contains contagious grooves, a futuristic guitar sound and soulful rock vocals.  They also clearly demonstrate that as a band DOBBELTGJENGER is not averse to  injecting a dose of fun into the proceedings now and then.

“Limbohead”  comes in CD, 12″ Vinyl and Digital formats and is available from all the usual retailers and streaming services,  as well as from and

A video by Jarle H. Moe for the track “Calling Tokyo” from “Limbohead”  can be seen below and at

More information about DOBBELTGJENGER can be found on the band’s Facebook page at

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When a band’s members all come from backgrounds as diverse as classical piano, electronica, prog and hard-rock, and if they manage to pull it all together in a consummate fashion to create a unique sound, you would be safe to guess that the band was Norway’s OAK.   And, with their latest full-length album “False Memory Archive” due out on Karisma Records on the 19th October,  the Pop/Rockers have released the title track as a single, about which they have this to say:

If you are somewhat loose with everyone’s  conception of what ‘Pop’ actually is, then  the track “False Memory Archive” is the album’s pop leitmotif,  which still unmistakably sounds like OAK.  It also happens to be the album’s title track and, as such, it serves as a kind of introduction to the theme of the whole album.  It is a song that appears  light and happy in its expression, but all the while it still contains its fair share of darkness

The track “False Memory Archive” is available from, or can be heard at

Since starting out as a folk-rock duo, and releasing their 2013 debut album “Lighthouse”, OAK’s lineup of Øystein Sootholtet (Bass, guitars, banjo, keys & programming), Simen Valldal Johannessen (vocals, piano, keys & lyrics), Sigbjørn Reiakvam (drums, percussion, programming & keys), Ole Michael Bjørndal (guitars) and Stephan Hvinden (guitars), have made considerable strides as both musicians and songwriters as their sophomore album demonstrates.

There is still a nod in the direction of the debut full-length, but “False Memory Archive” is both darker and groovier , whilst retaining that successful amalgam of sound that is neither wholly progressive pop, nor wholly progressive rock,  but which is absolutely trademark OAK  and is comprised of catchy elements and stunning vocal harmonies, which create that unique duality that defines them as a band.

“False Memory Archive” was recorded in Oslo at the Ljugekroken Studio and the Tøyen Church, and was  mixed and mastered by Jens Bogren and OAK at the Fascination Studios.  With front cover artwork by  Lisa Love and design by Deformat, and featuring a guest appearance on guitars by Bjorn RIIS, tracklisting for “False Memory Archive” is as follows:

  1. We, The Drowned
  2. Claire De Lune
  3. False Memory Archuve
  4. Lost Causes (Bjorn Riis guesting on guitar)
  5. Intermezzo
  6. The Lights
  7. These Are The Stars We’re Aiming For
  8. Transparent Eyes
  9. Psalm 51

OAK - False Memory Archive CD

“False Memory Archive” will be released in CD, Digital and Crystal Clear Vinyl formats, and is now available to pre-order at:


More information about OAK can be found on the band’s Facebook page at or on their website at